Tag Archives: sci-fi

Eastercon 2017 Review!

For those who don’t know, Eastercon is the annual British National Science Fiction Convention. Now in it’s 68th year, it draws together an eclectic mix of sci-fi, fantasy, comic book and horror fans, creators, writers, illustrators, artists, cosplayers, and booksellers, as well as a whole host of other interesting people. This year it took place in Birmingham, England, under the moniker of Innominate. Its logo  was a ( presumably) green alien head. I went along and took part. He’s what happened…

 

 

I had two events planned for Innominate. The first was a panel on comic book legend Jack Kirby. Most people know Kirby from his days with Marvel  in the Sixties. In fact, Jack “King” Kirby, or Jolly Jack Kirby (whichever you prefer) was an influential comics creator who co-created Thor, the X-Men, the Fantastic Four, Superman’s nemesis Darkseid and a whole host of other even wilder characters. This was a lot of fun, even though it took place less than an hour after I had arrived and before I’d even booked into my hotel.  But bringing my hastily-acquired knowledge of how Kirby actually invented modern superheroes was very enjoyable. My fellow panellists, Stephen Aryan, Ali Baker, Kin Ming-Looi and Adele Terrell all brought their considerable knowledge and talents to bear.

Panel over, it was time to get my bearings and have a breather from the 2 hour drive down a congested M6. There were almost a thousand people in attendance, with sci-fi legend Pat Cadigan, illustrator Judith Clute and art connoisseur Colin HArris all being the guests of honour.  I checked in with a few friends I hadn’t seen since… well, the last Eastercon, missed several interesting-looking panels. I then attended the “The Explosive Opening Ceremony”. Thanks to a scientists from the Royal Institute, it was indeed explosive, and I will never forget the impressive sight of a luminous courgette.

Missing panels is something of a hobby of mine at Eastercon. I missed a couple more that night, but managed to attend both the art show reception and a Gollancz launch party. Both were curiously low-key affairs, with guests simply milling about with little or no introduction. I got the impression these were for “people in the know” whoever they were, and felt a little excluded, but even so I managed to chat briefly to some intriguing folks.

I decided to skip the Regency ball (not being a fan of how people were actually treated in the Regency period) and the Blake’s 7 Wobblevision (which I’m sure was good fun) and tried to grab some actual sleep. Car parking was a bit steep in Birmingham. Fortunately, I left my car next to the A-Team’s van ( I never did find out who it belonged to) and saved some cash courtesy of a reduced parking ticket from the con hotel, which was great value for money!

 

Jack Kirby shows his trademark style!

 

Saturday was a busy day indeed. I lost some time trying to find my way around the NEC (not a good idea when there’s a 24-hour gaming convention on) and ended up driving to Coventry! Thankfully, and against all odds, I managed to arrive in time for my kaffeeklatsch. These were great ways to speak with several fascinating guests at the con, including author Adrian Tchaikovsky and lit agent John Jarrold. After that, I missed a few more panels chatting in the bar, before heading into the panel titled *punk. This was a very entertaining and informative talk on the various “punk” genres, including steampunk, cyberpunk, and even weirdpunk ( which I never knew was a thing) . The discussion was lively with issues of class inevitably being thrown up against steampunk. The panellists were all fantastic, and I left with the feeling that I knew more than when I entered. Which is always a good thing.

I am embarrassed to say that I attended very few other panels that day. Some of these were just fun (Towel-fu, Sofa Racing and Hungry Human Hippos) some were a bit too technical for me (Neurodiversity, 3D printing, and a workshop on a Dremel – something about which I am still unenlightened), and some of which conflicted with lunch. Although this last point sounds trite, when you’re on your feet for 18 hours a day, lunch becomes a necessity. Unfortunately, many of the panels conflicted with the street food that was on sale in the fan lounge, while the hotel food was exorbitantly priced. For someone with certain dietary needs, food became an increasing problem, resulting in nachos for breakfast. Suffice to say, I left the con never wanting to see another baked potato. May I suggest some salad, vegetables and pasta in the future?

But otherwise Saturday night was (as I remember) filled with good conversation around the bar, mainly involving 2000AD, and the world’s most insanely difficult sci-fi pub quiz. So afterwards I headed back to my hotel to get a well-earned 5 hours rest!

Sunday was another busy day. Beginning with a sci-fi criticism masterclass by Manchester University’s Geoff Ryman on Afrofuturism, it continued with a panel on writing scifi with and about disability. This was a terrific discussion which made me realise just how few positive portrayals of people with disability there are. Even heroic disabled characters have to either overcome their disability or are given some great super-power to compensate (I’m thinking of you, Georgie Laforge). A lively talk from Pat Cadigan topped the day off with a session entitled “Pat Cadigan Explains It All”. And she did, with a rather graphic demonstration that I feel I will never forget. The other panels were mostly sci-fi, and  I would have liked to see  a little more fantasy and horror in the programme. But I guess that’s why it’s called a Sci-Fi convention! Much of the rest of the evening was mainly preoccupied with dinner. Sadly, the Groan-Along showing of Ed Wood’s sci-fi fiasco”Plan 9 From Outer Space” was cancelled due to someone bringing the wrong DVD. The replacement, “Transformers” failed to find an audience. So instead I had a long and lively talk with many people who wandered in and out of the fan lounge until the wee hours, when I realised I still hadn’t decided (due to a variety of reasons) on what I was going to read for my author reading at 10am the following day!

Now, 2am is not a good time to decide what you are going to be reading in less than 8 hours. However, I think I pulled it off. Sadly, my reading conflicted with my friend Arthur Chapell’s fascinating talk on sci-fi pub signs, so I had to miss that, as I couldn’t very well be absent from my own reading! Myself and grimdark author Anna Smith-Spark expected a low-energy crowd, it being the fourth day of the convention at 10am! However, the opposite was true. Many faces that were far too fresh for my liking turned up (probably due to Ms Smith-Spark’s presence, I may add), and I realized I had better be on top of my game. Fortunately, my last-minute preparation prevailed, and the reading seemed to go very well, with a lively Q&A sessions afterwards that involved such diverse subjects such as Dungeons & Dragons and the poetry of William Blake.

The con ended on a high note with the closing ceremony, attended once against by the guests of honour, and the giving of the Doc Weir award. I spent the rest of the day catching up, saying goodbye and generally making a nuisance of myself before heading home up the M6 once more. Maybe it was just that the traffic was less congested, but I felt a new surge of energy and hopefulness. It seems to be a common thing at Eastercon. The experience of being around so many creative and passionate people renews you, and you go forth into the world once more, ready to apply pen to paper, confident that there are other people out there who feel just the same as you!

My thanks to the organisers for letting me participate, and my apologies to anyone I didn’t get to speak to. See you next year!

(P.S. Some of the above may be exaggerated… just a little).

 

 

 

 

 

 

 

Exciting horror news!

In case you haven’t been watching my Twitter feed or Facebook page (and shame on you if you haven’t!) I’ve had some rather exciting news recently. To celebrate, here is a full moon. Did you know that each month has its own full moon with its own name? The one below is the Hunter’s Moon from October. It’s particularly apropos, for reasons that will become apparent.

Further information will be revealed in the coming days. For now let’s just say that if you like horror fiction or stories about the paranormal or supernatural, this is most definitely for you.

Keep your eyes peeled for the big reveal coming soon!

 

The Hunter’s Moon photo courtesy scientificsonline.com

Book Review 2016!

Happy New Year! Here is a fun little thing I thought I’d share at the start of 2017. It’s a list of the books I read during 2016. This is not a reading list, or even a recommendation, just a recap of the books I’ve read over the last 12 months… and maybe a few screenplay and graphic novels as well. I’ve marked with an asterisk (*) the ones I thought were particularly important. Enjoy!

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Treasure Island*, Kidnapped*, Robert Louis Stevenson

Occultation*, Xs for Eyes, Laird Barron

The Death House, Sarah Pinborough

Boy’s Life, Robert R McCammon

The Madness of Cthulhu, ST Joshi (ed)

The Last Revelation of Gla’aki, Ramsey Campbell

The Haunted Grave, Ezeiyoke Chukwunonso

Tender Is The Night*, F Scott Fitzgerald

My Gun Is Quick, Mickey Spillane

Dark Terrors 5, Stephen Jones (ed)

Tales of the Cthulhu Mythos*, HP Lovecraft and others

Mission of Gravity, Hal Clement

The Birds*, Daphne Du Maurier

The Haunting of Hill House*, Shirley Jackson

Revolutions, Graeme Shimmin, Craig Pay, Eric Steele (!) (eds)

The Chronicles of Amber series: Nine Princes of Amber, The Guns of Avalon, The Sign of the Unicorn, The Hand of Oberon, Roger Zelazny

The Art of War*, Sun Tzu

And in graphic novels…

Skizz, Alan Moore, Jim Baikie

The Tomb of Dracula Omnibus, Vol 3, Gerry Conway, Gene Colan etc

The Essential Werewolf by Night, Vol 1, Marv Wolfman, Mike Ploog etc

(And of course too many comics and screenplays to mention.)

So there you have it. Maybe you’ll enjoy some of these, maybe you won’t. I enjoyed them all. Have fun exploring them or making up your own list. Now for next year…!

 

 

 

 

 

 

Fantasycon 2016 report: Fantasycon-by-the-Sea!

 

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Scarborough – home of all things sci-fi, fantasy and horror!

 

Last weekend marked my third foray into Fantasycon, the annual convention of the British Fantasy Society. This year it was held in Scarborough at two hotels: the Grand and the Royal. Guests of Honour included bestselling science-fiction, horror, and fantasy authors Joe Hill, Mike Carey, Adam Neville,  Scott Lynch, Elizabeth Bear, Frances Hardinge, James Smythe, and Derek Landy.

The main hotel was, shall we say, interesting. Scarborough itself seemed to be stuck in a bit of a time warp – appropriately perhaps. But no-one can deny that the Grand is awesome to look at – a Gothic façade that dominates the Scarborough seafront. The main staircase served as an impressive backdrop, as did the various antique ballrooms.  I found myself reminded of The Shining several times!

 

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The Overlook Hotel… I mean The Grand in Scarborough.

 

Registration was easy enough, although the wristbands proved to be a bit fiddly and impossible to remove, except by accident! The usual bag of goodies included a stick of rock, to put us in the mood. Having learned from previous experience, I signed up to several of the agent/editor sessions and masterclasses straight away. Perhaps unsurprisingly the session with Joe Hill was booked up even before Friday afternoon.

Fantasycon 2016 was absolutely stuffed to the gills with panels and events. I attended as many as I could fit in around socialising, which is the most enjoyable part of Fantasycon.

Highlights for me included the panel titled “It’s a Kind of Magic” featuring Sue Tingey, Pete McLean, Peter Newman, James Bennett, and Irene Soldatos.

Also, the newly-launched UK chapter of the Horror Writers Association was a strong presence. Friday saw the HWA launch several books in concert with Jo Fletcher Books. Many authors were on hand to sign their latest books and to rub shoulders with newer authors like myself. Kudos to HWA organisers Paul Kane and Marie O’Regan for hosting such a well-attended event.

Agents and editors were also available to provide insights into the world of publishing and screenwriting. I found these sessions to be a particular highlight and hope they will continue to be a theme at future cons.

Another addition to the programme was writing masterclasses sponsored by Gollancz. These were of a very high standard, catering to the new writer but also useful to writers of all levels.

There were many book launches over the weekend. In fact, you needed limitless pockets to be able to attend them all! But the ones that I did get to were lively, informal affairs. Of course I soon abandoned my vow not to buy any more books and came away with a small armful.

Saturday saw another horror panel: “Creepin’ up on You”, about the overlap between reality and horror fiction. Chair Paul Finch interjected some welcome humour into what could have been very grim proceedings. Other attendees included living legend Ramsey Campbell, Tracy Fahey, VH Leslie, Helen Marshall, and Mark West.  Topics ranged from the scariest things ever written, to things the writers would not consider writing about, and an interesting discussion on how shifting cultural awareness has meant that some horror devices may no longer be legitimate ways of frightening an audience, such as the “terrifying” reveal of the disfigured composer’s face in the Phantom of the Opera.

Another standout was the HWA panel on getting published. The experienced panellists included Paul Kane, Marie O’Regan, agent Ian Drury, publisher Jo Fletcher, and editor Stephen Jones. Again, this was a standout for me, with many “dos” and “don’ts” on dealing with publishers and agents.

Saturday evening saw my first ever reading at Fantasycon (though not my first ever reading) along with horror scribe Terry Grimwood. The listeners were very graceful and it seemed to go down well. I thoroughly enjoyed Terry’s reading from his new book. My thanks to Roy Gray for providing much-needed coffee!

Afterwards, all eyes were on the legendary Fantasycon Karaoke, the disco, or the bar. I stayed up way too late and had way too much fun nattering to people. Sometime after midnight I slunk off to my guest house to grab a few hours of sleep before Day Three!

 

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The Grand lives up to its name – from the outside, anyway.

 

On Sunday morning I took part in my first ever Fantasycon Panel. “Lost in Hollywood” was moderated by agent Ellen Gallagher and featured legendary TV writer (and all-round nice bloke) Stephen Gallagher of Dr Who and Oktober fame, as well as Stephen Volk (screenwriter of Ghostwatch and Gothic), as well as Remington Steel TV writer Joanna Horrocks. The discussion was wide-ranging and I enjoyed it a heck of a lot. Hopefully, I’ll get to do it again!

My Sunday ended with the Monster mash panel, in which Ross Warren, Adam Millard, Georgina Bruce, Alastair Rennie, and Laurel Sills discussed monsters and what makes them scary (or not). It was a lively and varied debate, and I found myself getting one idea after another as I listened.

The BFA Awards ceremony rounded off the weekend. Having never attended one before, this was an eye-opener, and as each Award was dished out too thunderous applause I found myself aware of just how much the BFS is a very inclusive family.

In all, I found Fantasycon-by-the-Sea the best Fantasycon yet.  Or perhaps I’m just getting into the swing of things more. It was great to catch up with existing friends and to make some new ones. As always, my reading list has grow exponentially. It was also great to continue to appear on panels and perform readings. My thanks to the more experienced writers who took time to talk with me at length about this insane and insanely entertaining business we’re engaged in. I left feeling invigorated, pumped up, and ready to write. To anyone who hasn’t been, I can’t recommend the experience highly enough.

 

Eastercon: Mancunicon convention report 2016!

This year’s science-fiction/fantasy convention EASTERCON took place in Manchester, England. Mancunicon, as it was called, occupied four floors of the iconic Hilton Hotel, a slender glass-and-steel building shaped like the number “1”. The convention gathered together sci-fi and fantasy authors, fans, publishers, gamers and cosplayers. There were almost a thousand people in attendance, and one of them was yours truly.

The Hilton Tower... in the sun.

The Hilton Tower… in the sun.

 

Now, I’ve been to FantasyCon before and the odd sci-fi movie fan convention. But I’ve never been to Eastercon, so I was unsure what to expect. Fortunately, some friends of mine from the Manchester Speculative Fiction Group were also there, so there was always someone to chat (or moan) to.

The first thing we did was gather at the bar. This was (unsurprisingly) the focal point for the Con. However, the Hilton is a very tall, narrow building so sometimes the bar became very crowded. This never became a real problem, but it did make queuing for the two lifts difficult. The small meeting rooms also meant that several panels were oversubscribed. I was sorry to have missed the panel on rare sci-fi and fantasy TV shows of the 1950s -1970s. But on the whole things ran pretty smoothly.

The atmosphere was, for the most part, very friendly, with everyone united by a love of sci-fi and fantasy. Although some were more hard-core than others – there was a cosplay competition on Saturday for those dedicated enough. I am not the most gregarious person in the world. But even I found myself chatting to a diverse array of people over the weekend.

My writing group has an anthology called “REVOLUTIONS” out at the moment, so this was an ideal place to plug the book. We sneaked up a few posters and shifted quite a few copies. My only regret was that I didn’t manage to prepare any advertising material for my own novel. But then Easter always sneaks up on me.

The events programme was varied and jam-packed. This year’s guests of honour were authors Sarah Pinborough, David L Clements, Aliette de Bodard, and Ian MacDonald. But many more took part, and topics ranged from hard sci-fi to sewing. So there was something for everyone… even a cookery class!

So after catching up with my fellow attendees, I made my way to the first panel…

Welcome to Eastercon – Saturday

This was highly informative and useful. It soon became apparent that Eastercon has a culture all of its own. Some people had been going literally all their lives, while the oldest member was a mere 90 years old.

Afterwards, I browsed the dealers’ rooms. Against my better judgment I gave into temptation and walked away with an armful of beautiful 1970s paperback editions. But some deals are just too good to pass up!

Diversity in SF

The first panel I attended was about diversity in SF/F. This was a very intelligent and nuanced discussion about how difficult it is for authors who are not white and middle class to get published. The speakers made their points with eloquence and precision. Afterwards, I found myself with a far greater appreciation of issues of race and gender.

MSF Group’s “Crit Sandwich” – Saturday and Sunday

Next day, Manchester’s SpecFic group held the first of two long feedback sessions for budding authors. My fellow group members and I reviewed 3 pieces each day of up to 10,000 words per author. The sessions were very enjoyable, with some interesting, varied and (intentionally) amusing samples of work. All those who took part said they found it very useful. I take my hat off to them, as I’m not sure if I’d have had the courage to submit my work to complete strangers at my first Eastercon!

Jo Fletcher Books Launch – Sebastian de Castell

There were several book launches over the weekend. We ascended the lift to the Presidential Suite on the 22nd floor for a reading by the author. The view and the plentiful red wine made this a memorable occasion, and the publishers were open to questions from anyone who attended. Indeed, the wine flowed a little too freely on occasion, with several people complaining of feeling “under the weather” as the Con wore on!

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..And the view from the 22nd storey in the rain.

 

The Fuzzy Set of Horror

That evening I attended a lively discussion on the boundaries of horror, given by three gothic/supernatural fantasy writers with helpful contributions from horror grandmaster Ramsey Campbell. There were some hotly debated questions about Waterstones’ policy of no longer segregating horror from fantasy and science-fiction as well as on the merits of zombie films.

Later, we sampled the gastronomic delights of Manchester (there are many) before returning to a packed bar and hobnobbing with anyone who would talk to us. But after over ten hours on my feet, I was exhausted. So I limped off to bed to grab four hours’ sleep before Day Three.

Trailblazing Comics of the 1980s – Sunday

Next morning – my head buzzing with a litre of coffee – I took part in my first ever panel. Thankfully, it was a subject I can ramble on about for hours – comic books. My fellow panellists Karen Brenchley and Tony Keen provided the focus of the debate. Together, we discussed which creators shaped the comics field in the 1980s and beyond.

Inevitably, “The Dark Knight Returns” and “Watchmen” were mentioned. But we also managed to include such diverse matters as 2000AD, John Byrne, and “Cerebus the Aardvark”! The attendees called us on our knowledge, so we had to be on our toes. But we all brought something different to the table and managed to give the audience a broad overview of both mainstream and indie comics in the decade. Afterwards, we got chatting to several interesting people. I enjoyed this a heck of a lot and would thoroughly recommend the experience.

Kaffeeklatsch with Sarah Pinborough

Guest of honour at this year’s Eastercon was horror/crime/YA novelist Sarah Pinborough. Fresh from Hollywood, Sarah shared tales of writing and more in this cosy setting. This was a nice change of pace from the panels and a chance to ask more detailed questions of the author. As for the content, I’m afraid I can’t tell you more because, as Sarah says, “What happens in Kaffeeklatsch stays in Kaffeeklatsch!”

Author Reading – open mic

This two-hour session gave authors a chance to read their own work. My nerves were set on edge by the announcement that it was to be a competition. When the “judges” were given sticks with numbers on, the whole thing took on the aspect of a David Lynch film. Authors read their works until a gong signalled they had run over the time limit, whereupon the judges gave the scores. Fortunately, the whole thing was just a bit of fun. The readings were diverse and entertaining, and the host excellent. Although I really felt for one poor chap who had only written his piece that morning.

SF Pub Quiz

Late on Sunday, we took part in the hardest pub quiz I have ever seen in my life. Categories ranged from “Name the scientific instrument” to “Name the TV theme tune… and composer”. Needless to say, our score was abysmal!

By this stage everyone was relaxed and the party mood was in full swing. It was with a heavy heart that I retired to bed in the early hours, knowing that there was only half a day to go.

The Deeper the Grief, the Closer to Life – Monday

By Monday a few people were looking the worse for wear. But a crowded audience still packed out the main room to listen to a panel about grief and loss. Despite the heavy subject matter, the talk proved to be worth waiting for. Authors Sarah Pinborough and Neil Williamson discussed writing about grief, as well as recounting real-life tales, both sad and funny. This was definitely one of the better talks, although I can’t really remember why!

Criminality in SF/F

The final panel of the day got a little raucous at times, as several authors discussed the representation of crime in sci-fi and fantasy novels. By this stage we were all just relaxing. Some great debates arose, though. One of which may have just given me an idea for my next story…

In Conclusion

Eastercon was something of an unknown quantity for me. At first I found the fan-based culture a little intimidating. But having it in Manchester helped my travel plans and allowed me to stay much longer.

Given the unique challenges of the Hilton tower, the organisers did their best to keep things running smoothly. Volunteers were always present to help, and being on a panel was tremendous fun.

If I had any suggestions it would be to offer more author readings and to include more horror. At the moment, Eastercon is quite “sci-fi heavy”.

So will I be going to another Eastercon? Hell, yeah. I’d recommend it to anyone and everyone who likes genre fiction.

Will I be more prepared next time? Definitely!

 

The Shannara Chronicles reviewed

THE SHANNARA CHRONICLES aired on 5 Star in the UK today and MTV in the USA. The beloved fantasy novel written by Terry Brooks was the sequel to his hit 1977 bestseller The Sword of Shannara, an epic fantasy in the vein of The Lord of the Rings but with one unusual twist – the stories are set in a post-apocalyptic future that only resembles the medieval world of fantasy.

The Elfstones of Shannara is a much darker affair and sees elves pitted against a demonic invasion. Only a young, half-elven boy and an elven maiden can stop it. The book captured the imagination of millions of readers. But how does the new TV series shape up?

 

The Shannara Chronicles airs on MTV and 5Star

The Shannara Chronicles airs on MTV and 5Star

 

The TV pilot opens with an action sequence not in the novel, as Amberle, an elven princess, competes in a difficult race to become one of the Chosen, a religious order sworn to protect the Ellcrys, a magical tree that protects the elves from demons sealed off from the world by The Forbidding. We are then introduced to several of the main characters, including Will Ohmsford, the young boy whose destiny is linked to the Ellcrys in some way.

The show boasts some excellent CGI visuals, especially the enormous backdrops of the Elven palace of Arborlon and several shots of old world superstructures, now crawling with vines and forgotten. It’s a handsome production, although sometimes the elven costumes and hairstyles resemble Arborlon 90210 rather than those of a medieval fantasy land.

Initial signs were encouraging.

The writing was for the most part serviceable. The first episode was more of an introduction to the characters, which worked fine on a story level. However, there were some cringeworthy moments. Series creators Alfred Gough and Miles Millar are known for Smallville, The Mummy: Tomb of the Dragon Emperor, and I Am Number Four.  And that kind of writing style lingered throughout. There were several moments of heavy-handed cliché: the kick-ass heroine, the dumb young male hero, the kick-ass female warrior, the kick-ass female thief, etc., etc. Also, several rather unfeasible physical stunts: a male elven warrior knocked out by a young girl with one blow of a sword hilt. But hey, maybe these elves all have glass jaws.

The writers also changed a lot, bringing in some characters earlier and adding more romance, which is forgivable when you’re trying to draw in new viewers. One strange plot hole was that none of the elves believed in the magic of the Ellcys, not even Amberle. Which was odd, because she’d just competed in a dangerous trial to become a member of a religious order dedicated to protecting that very magic. The king also had an advisor specifically dedicated to monitoring the tree’s health. Kind of makes you wonder why they bothered if the tree’s power was just a fairy story.

Also apparent was some groan-inducing dialogue. This was dialogue obviously added to appeal to modern teens: “I smell elf-boy hate” says one character, while an elven princess tells her friend “Thanks for the save”. I’m pretty sure people won’t be talking like that in 10 years, let alone thousands of years from now. That kind of writing made Arborlon feel more like an American High School than a place of high fantasy.

But what really got on my nerves was the directing – or more specifically, the editing. During the first 25 minutes I had to resist the urge to switch off, because I was getting dizzy. Director Jonathan Liebesman (known for Wrath of the Titans and the recent Teenage Mutant Ninja Turtles movie) seems to have a rule that the camera cannot stay on anything for more than 2 seconds. As the shot constantly changed, sometimes even mid-sentence, I felt like I was inside a nightclub at 2:30 in the morning. Even a dying woman’s last moments featured multiple shots because I guess that just wasn’t dramatic enough. When the camera finally lingered on a money shot of Arborlon for a whole 10 seconds, I felt real relief.

All of which was a shame, because I wanted to love The Shannara Chronicles. I’m a huge fan of the stories and of Terry Brooks’ writing in general – The Elfstones is one of the few novels I’ve read several times. And like many fans, I’m amazed that Hollywood has not seized upon the chance to adapt these into big budget movies. Because that’s what they really need.

Despite this, the series showed some promise. What was smart was the way the filmmakers used backdrops – the Seattle Space Needle now like a giant, fallen tree. The sense of wonder conveyed in the trailers really drew me in. The demons also look suitably weird and scary. And there are enough wonders in the book to provide many CGI  amusement in future episodes.

The acting too was pretty good. The leads certainly look the part, with Will Ohmsford and Amberle (played by relative newcomers Austin Butler and Poppy Drayton) both being particularly strong, if not outstanding. John Rhys-Davis (possibly the only man to play both a dwarf and an elf) adds his usual gravitas as the elven king. As for Manu Bennett as Allanon – he’s a bit of an unknown quantity at the moment. A man of monolithic stature, he looks the part. But does he possess the menacing mystique of Brooks’ creation, or will his character degenerate into a brute superhero?

I am going to watch future episodes, if only to see whether the editing style will calm down. I hope so. Because if the creators can steer away from the patronizing, market-driven approach of so many other forgettable TV shows, they could still create something great. Or at least something that gives people a flavour of Terry Brooks’ unique and moving vision of the world of Shannara. This series’ saving grace just might be the incredible plot of the original book. But at this point, after viewing the pilot, I need a little more convincing that the magic is there.

 

Link

Today I have a pretty cool announcement to make.  The anthology REVOLUTIONS, which I edited along with Graeme Shimmin and Craig Pay (with honourable mentions to Luke Shelbourne and the rest of the Manchester Speculative Fiction Group), is now live to buy on Amazon! The anthology is an eclectic mix of science fiction, fantasy and horror, set in Manchester, England. Although perhaps it’s not quite the Manchester you know if you live there…

Revolutions. Available to buy now!

Revolutions. Available to buy now!

This is pretty exciting stuff for me. It’s my first time as an editor. It’s also a chance for me to be able to give back to the Manchester Spec Fic group, a bunch of writers who welcomed me with open arms several years ago. Since then, I’ve obtained invaluable feedback every meeting as they endured my stories (some good, some not so good) and made some great friends in the process.  So my thanks to Craig Pay for keeping the wheel on all this time and for being the very soul of diplomacy!

The idea came to me when I picked up a copy of an anthology in my local library that was brought out by a writers group in the West Midlands. I figured if they could do it, heck, we could do it better! And now I think we have.  But even that wasn’t enough for yours truly. We wanted our anthology to stand out, so we hit upon the idea of setting all the stories in Manchester England, a town that’s often unfairly ignored compared to, say, London, Monaco or any other of those exotic locales! So within these pages you will find various versions of Manchester, whether the present city, a Manchester  of tomorrow, or a Manchester that might never exist at all!

The anthology features stories by myself and other group members as well as Graeme Shimmin, author of the alternate-history spy thriller A Kill In The Morning, and Sarah Jasmon, author of the novel The Summer of Secrets. Both books are available to buy on Amazon. I have to say, Revolutions is a pretty good mix – it includes updated fairy tales, post apocalyptic fiction in a middle-class suburb, some very unique aliens, a musical war between Mancunians and Liverpudlians, and much much more.

So what are you waiting for? Get over to Amazon and grab yourself a copy!