Tag Archives: writing

Guest post: William Meikle and The Ghost Club

A guest post today, from William Meikle, whose new book “The Ghost Club” promises to be a rip-roaring attempt to recreate the voices of classic Victorian writers like Arthur Conan Doyle, Robert Louis Stevenson and Oscar Wilde!

Finding the voice

By William Meikle 

In my new collection THE GHOST CLUB I’ve undertaken the task of writing a collection of supernatural stories as told in the voices of famous Victorian writers like Conan Doyle, Jules Verne, Oscar Wilde and many others. It’s probably the most ambitious piece of work I’ve ever attempted.

The Victorian bit was the easiest. I grew up on Wells and Verne, Doyle and Stevenson, and that slightly formal, slightly clipped tone is one that I’ve practised many times in my own Holmes stories over the past few years, and it’s a voice I fall into quite naturally given all my reading from the period. Because of that, I found the Doyle and Wells stories to be the ones where I felt most at home when it came to the writing. The Doyle one went fastest, not surprisingly, even although I chose Lestrade rather than the dynamic duo, and it was helped in that I had a location I was familiar with, along the London Embankment around Cleopatra’s Needle. The Wells came as soon as I chose the subject; an early scientific experiment in color theory and vibrational mechanics gone wrong. Once again I had found my way in quite easily.

The Stevenson was more problematic, but as a fellow Scot I got into his particular more relaxed voice by finding the right character, a sick Scots boy in need of a story, and as soon as I had that, RLS took over the reins and led the way.

Those were the first three stories I wrote, and I thought I was into the flow of it and knew how the rest would proceed. Then the trouble started.

I had a little list of all the writers I wanted to be part of the club, and didn’t want to do all the ones I thought might be easier first, so I decided, being in the zone, to go for Tolstoy. I warmed up by reading War and Peace and realized I’d forgotten about the endless descriptive passages of balls and parties, officers and gentlemen and the doings of trade and traders. As for my story, all I knew at the start was that it would be a ghost story, and take place during one of the Empress’ balls. So I started, describing the Empress, the ballroom, the kitchens, the courtiers and I got so bogged down that fifteen pages in I hadn’t even started to tell the story. I had found Tolstoy’s style, but not a voice I could use to get in and out of it quickly enough to avoid an epic. I was starting to think I had bitten off more than I could chew, but then I was helped out by a compatriot from the past, and a voice I knew well. A Scotsman, several Scotsmen, turned up and began to tell their story of the ball, seen from a different viewpoint, and suddenly, all the description and finery were put in their proper context, and a story wove its way through all the Russian magnificence. Not many of the original fifteen pages survived, but enough did that I think I caught the mood I wanted to. But by then, I’d spent enough time with Tolstoy’s way with a sentence and needed something lighter.

My next stop was Twain, a different fellow entirely, far more abrupt, far more sarcastic and with nary a hint of sentimentality. But I found he was just the right chap to rescue me from the labyrinthine Russian court, and I was swept along in a tale of gambling, treachery and revenge on a riverboat that flowed so smoothly I was almost sorry to see it go.

Haggard and Kipling came quite easily, more of the semi-formal, clipped tones I mentioned earlier but with each chap’s peculiar flourishes and tics.

Then came Helena Blavatsky. I’ve long been fascinated by her writings on Theosophy, but when it came to writing a story in her style, I found her rather intimidating, but the story came almost the way I imagined her speaking, slightly hectoring, eager to be believed and a peculiar amalgam of history and occult fiction.

After the seriousness of the Theosophist meanderings, I cleansed the palate with something altogether lighter and frothier. Getting into Wilde’s style was the most fun I had in the writing of these stories — not the style of Dorian Gray, but more in the style of his shorter, more comic works. The voice, a playful, lilting thing in this case, came almost immediately and the story was written in a single sitting that left me with a big smile.

Margaret Oliphant’s tale became personal when I found that it was less of a voice I needed, more of a song. it’s built around the Scottish folk tune Fine Flowers in the Valley. Finding the voice for the story came as much from Downtown Abbey and Upstairs Downstairs than from fiction, but it turned out to be the right one for the tale.

Henry James was one I’d been putting off till near the end, for he’s a writer I’ve always had trouble reading due to his convoluted way with a sentence. But coincidence stepped up and helped me in this case, for I won a copy of Dan Simmons’ THE FIFTH HEART in an online competition, and in it, Henry James is so well described that I lifted the voice from his character in that book, and found that it led me straight into a tale of a haunted chess set that once again almost wrote itself.

I was nearly done. Checkov was easy for me; I understand drinkers, and railwaymen, and drinking railwaymen. I also, living as I do in Newfoundland, understand cold winters. Once I had those aspects, and paired them with some Russian fatalism, that tale too flew by in a single sitting.

I’d left two till last. Stoker because I knew what I wanted to write right from the start, and Verne, because I had no idea how to approach it. I went with Stoker first, and a wee ghost story. Here the voice was simple, for I wanted it to read like a trial run for Dracula, i.e. a story told in epistolary fashion. It’s a tale of old friends, of loss and sorrow, and it’s the saddest thing I think I’ve ever written, but it’s also full of Irish sentimentality, and Stoker’s rather brusque voice led me through to the end.

And so, I was left with Verne, and little idea how to proceed. In the end, I went with Harryhausen-style effects, and thought of it as a ’50s movie rather than a Victorian story, and that allowed me to indulge my passion for improbable rocketry, derring do, and a very French approach to scientific enquiry. In the end, I might not quite have got Verne’s dispassionate scientific voice into the tale, but it feels right to me, and it’s the closest I was going to get.

And there it was, all done.

It’s a simple premise.

In Victorian London, a select group of writers, led by Arthur Conan Doyle, Bram Stoker and Henry James held an informal dining club, the price of entry to which was the telling of a story by each invited guest.

These are their stories, containing tales of revenant loved ones, lost cities, weird science, spectral appearances and mysteries in the fog of the old city, all told by some of the foremost writers of the day. In here you’ll find Verne and Wells, Tolstoy and Checkov, Stevenson and Oliphant, Kipling, Twain, Haggard, Wilde and Blavatsky alongside their hosts.

Come, join us for dinner and a story.

Read a sample and buy the book here: https://www.amazon.com/dp/B077SWFLZM

THE GHOST CLUB MEMBERS AND THEIR STORIES

Robert Louis Stevenson Wee Davie Makes a Friend
Rudyard Kipling The High Bungalow
Leo Tolstoy The Immortal Memory
Bram Stoker The House of the Dead
Mark Twain Once a Jackass
Herbert George Wells Farside
Margaret Oliphant To the Manor Born
Oscar Wilde The Angry Ghost
Henry Rider Haggard The Black Ziggurat
Helena P Blavatsky Born of Ether
Henry James The Scrimshaw Set
Anton Checkov At the Molenzki Junction
Jules Verne To the Moon and Beyond
Arthur Conan Doyle The Curious Affair on the Embankment

Available on 8th December 2017 in paperback and ebook from Crystal Lake Publishing.

‘In the past, we’ve had the Diogenes Club, the ‘Club of the Damned’, and even Peter Straub’s ‘Chowder Society.’ Now we have THE GHOST CLUB by William Meikle. And it is, quite simply, a delight. Not only has the author displayed his knowledge of and love for the writers of yesteryear, but in creating ‘The Ghost Club’ our host has produced his own collection of unknown and previously unpublished short stories ‘by’ Robert Louis Stevenson, Rudyard Kipling, Leo Tolstoy, Bram Stoker, Mark Twain, H. G.Wells, Margaret Oliphant, Oscar Wilde, H. Rider Haggard, Helena P Blavatsky, Henry James, Anton Chekhov, Jules Verne and Arthur Conan Doyle. I say ‘unknown’, when I mean – of course – that all the stories are written by Mr Meikle in the style of the aforementioned authors; and the entire experience of reading this collection is like sitting with him in an old fashioned study, with a roaring fire, guttering shadows and a snifter or two of brandy as he unfolds his ‘Ghost Club’ tales. I thoroughly enjoyed the experience.’ – Stephen Laws, author of GHOST TRAIN, SPECTRE and DARKFALL

 

Available from Amazon here: https://www.amazon.com/dp/B077SWFLZM

 

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Author interview – Chukwunonso Ezeiyoke

Today it’s my proud privilege to introduce author Chukwunonso Ezeiyoke. A Nigerian-born writer, he is one of a wave of Afrofuturist writers who have recently been taking the world by storm. Afrofuturism has been defined as “a cultural, aesthetic, philosophy of science and philosophy and history that…  addresses themes and concerns of the African diaspora”.  Writers of these stories typically use magic realism, fantasy, supernatural and science fiction to achieve their aims, and share a highly distinctive prose style that is both fresh and engagingly non-Western. 

Chukwunonso’s first story collection, “The Haunted Grave”  is in print from Parallel Universe Publications and contains eight stories with themes such as the real origins of the AIDS virus, a man who is possessed by himself,  and a particularly nasty family curse passed on through sexual activity. The stories are original and totally believable, told with a matter-of-factness that makes them all the more chilling.  Even stranger is that Chukwunonso is such a very nice guy to meet, with a highly infectious laugh. Not the kind of person you would immediately think capable of writing such grisly fiction!

 

ES: First of all, please tell our readers a little about yourself and what you write.

CE: I am Peter Chukwunonso Ezeiyoke. Although I only write with Chukwunonso and then my surname Ezeiyoke. From day one, I tended to avoid using my name Peter in my writing. I see my writing coming from an intimate place and Peter for an unknown reason failed to capture this essence. Perhaps because Peter is for officialdom.  The name used in school, at work and other serious places. Nonso, an abbreviated version of Chukwunonso was the in-house name left for close friends and family. In a way, the name Peter got alienated from this intimate fondness I associated with writing. I write all sorts of things: fiction and non-fiction. In non-fiction, I love literary criticism especially if approached from the angle of the Philosophy of Literature. I fell in love with literary theories after reading Language and Habit of Thought by A. Akwanya. The book blew me off my feet. I also enjoyed Plato’s Republic and Aristotle’s Poetics. And then Kant and then Nietzsche’s The Birth of Tragedy. ES: And what are your preferred genres as a writer?

CE: Horror and fantasy. Science fictions as long as it doesn’t focus so much in the science but rather on the emotions of the characters. I really love writing horror.  I love a slow burner. The beginning of my stories often sound realistic/literary until the demon comes to party.

ES: What is your favourite childhood book?

CE: I can’t really say one book, but I think that The Palm-Wine Drinkard by Amos Tutuola was fascinating, mythical and hilarious. The Bottled Leopard by Chukwuemeka Ike stayed with me long after I finished reading it. Then Cyprian Ekwensi’s An African Night’s Entertainment.  Chike and River by Chinua Achebe was our childhood national anthem so was Eze Goes to School by Onuora Nzekwu. I bet that everybody that grew up in Nigeria around the time I was born must have read them.

ES: How long were you a part-time writer before your became a full-time one?

CE: I can’t call myself a full time writer even now. Writing is yet to pay my bills. But I often see myself as a committed writer in the sense that I take it seriously and tend to create time for it. I haven’t been that committed to writing like the way I am now. It is something I began newly. I started to write when I was like eleven or twelve, but then I had a yearning stronger than writing: to become a catholic priest. This consumed my life until I was like 21 when I started having a vocational crisis because of some existential questions. Then writing became my only solace to escape reality. Finally, in 2014, I made up my mind that I wouldn’t become a priest after about 15 years in the seminary. It was at this point that I became a committed writer because I realised that there was nothing else in life that fascinates me like writing. I started being a serious writer by doing my MA in Creative Writing.

ES: That’s fascinating, and I suppose it shows just how important writing can be to people. Thank you for sharing that story. What has been your hardest scene to write to date?

CE: A rape scene that I wrote as part of my MA in radio drama.

ES: And what was the best money you ever spent as a writer?

CE: Hahaha… I went to a bar with a friend. Then we ate fresh fish pepper soup with some chilled drink.

ES: Good answer! I like to include animals in my own stories from time to time. As a writer, what animal would you choose to be your spirit animal?

CE: A tiger

ES: Very cool! And now what are your writing habits? Any good ones?

CE: I am good at breaking any habit I formed.

ES: And how many unpublished and half-finished books do you have?

CE: I think I end up with one every month.

ES: Wow. It sounds like you are very prolific. That is very inspiring. When you have had a work published, do you read your reviews? How do you deal with bad or good ones?

CE: I read them. I like feedback, no matter what. It tells me that at least people read what I write. Obscurity I think is the worst thing to happen to a writer rather than neglect reviews.

ES: That is a very philosophical attitude to take. I wish I could be like that!  Well, thank you very much for taking part in this interview, and I for one really look forward to reading your next book!

 

If you haven’t read it yet, Chukwunonso’s collection of stories “The Haunted Grave” is available on Amazon in paperback and for Kindle. I thoroughly recommend it as a superb work of fiction. If you want an introduction to the wonderful world of Afrofuturism, or if you just want a really good collection of modern horror stories, I suggest you pick up a copy, as he is certainly an author to watch! 

Author Interview with Cyn Ley

Yours truly had a busy old time of it this week, what with Fantasycon 2017 in Peterborough, UK. More on that later, but for now, I’d like to share this interview with bestselling author Cyn Ley. Cyn has published books in the horror, paranormal and humour fields! So without further ado, here’s Cyn…

ES: Welcome to the blog, Cyn. First of all, can you tell our readers a little about yourself? 

CL: Yes.. I’m both a bestselling author and a top-ranked editor, and have been with Solstice Publishing since 2014. They gave me my start and I love working with them. I write short stories mainly, although I recently branched out into novellas. Short stories fascinate me because they have to be so carefully crafted. Always up for a challenge! It’s where I do my best writing, I think. I write rather eclectically—paranormal, social satire, humor, horror. Basically whatever pops into my head and turns itself into a story… There’s not much I’m not interested in.

ES: Paranormal and social satire! Sounds fascinating. What was your last book about?

CL: My last book was THE OSSUARY PLAYGROUND AND OTHER UNEXPECTED TALES. It is a collection of three paranormal stories plus one that’s a bit of a surprise. It’s received excellent reviews so far. My latest short story, “Plot Twist”, will be appearing in Solstice’s annual October fright fest anthology, NOW I LAY ME DOWN TO SLEEP (October 2017).

ES: Cool. So are your books standalone stories or are they part of a bigger overall plan?

CL: They’re standalone collections. I currently have two books on the market: THE OSSUARY PLAYGROUND, and ENCOUNTERS: TALES RECOUNTED AND REBORN. ENCOUNTERS is a collection of stories previously published between 2014 -2016. A number of these early tales have been revamped, but just as many stand in their original form

ES: As a writer myself, I’m always keen to know authors’ writing habits. What is your own approach to writing, and how many hours a day do you write?

CL: Tough question. I’m an intuitive writer, so most of the time stories just unfold for me. I’ll sketch out quick little notes and use them as touch point, but I’m not religious about it. What seems like a good idea initially may not be when you get to the actual writing. Some days I don’t write at all. Other days—or nights, I should say—the Muse wakes me up at 3am and orders me to write.

ES: Okay, now that we know about your writing and your working day, why don’t we dig a little deeper? What is your favourite book from your childhood, and why?

CL: The unabridged Three Musketeers by Alexandre Dumas. It has everything—action, humor, thrills, romance, and is just plain fun.

ES: I love Dumas. His works appeal on so many levels. It’s interesting that you went for historical fiction, though. Do you undertake a lot of research for stories yourself?

CL:  I don’t start with the research, but I often research as I go. This can range from [finding out about] the environment (the settings of the story), to language (how people expressed themselves in different eras, subject-specific terminology, etc.). Let the story be your guide, and pay attention to the details. Would your character have cooked in a copper pan or cast iron one? The minutia can make all the difference.

ES: Very sound advice. In fact, I recently made the mistake of failing to research a certain aspect of police procedure in Los Angeles for one of my short stories. Fortunately, I have an editor with a very keen eye!  Okay, moving on to a more spiritual plane — and this is question I ask everyone — as a writer what would you choose to be your mascot or spirit animal? 

CL: I’m way too much of a critter person to pin that down! LOL My cat and dogs are lovely, of course, but so are the crows that like to hang out on the roof.

ES: So all of them! And if you could tell your younger writing self anything, what would it be?

CL: Be brave!!!

ES: Excellent. Okay, we’re almost done. One last question: could you tell us what are you working on at the moment? 

CL: I have a couple of multi-genre things in the works right now, but it’s too early to talk about them. They’re sketches, mostly

ES: Well, all the best with them. I’m sure they’ll be very entertaining! Thanks for participating in this interview. It’s been great having you on the blog. 

CL: Thank you for having me! It’s been a pleasure!

Cyn Ley’s books are available on Amazon here  and from Solstice Publishing

Or you can get in touch with her here: 

Blog: https://authorcjl.wordpress.com

Twitter: https://twitter.com/CynthiaLey2@cynthialey2

Facebook: https://www.facebook.com/groups/Cleyfiction4/

 

 

Interview with horror writer Richard Tabaka!

Time for a change of pace, today, as I’d like to start an irregular series of interviews with new and established authors!

My first guest is horror novelist Richard Tabaka. An active member of the Horror Writer’s Association Richard’s novels include the three-book series The Pride, supernatural thriller St Augustine’s Road, and the short story collection 3:33.

 

Hi, Richard, welcome to the site. Please tell our readers a little about yourself and what you write.

I was born and raised in central Wisconsin, USA in 1960.  I’ve been a fan of horror for as long as I can remember.  As a child, I would read comic books quite a bit.  Mostly Super Heroes like Captain America, The Incredible Hulk, Superman, Spider-Man (who I liked a great deal because I often caught spiders in jars and kept them for pets), and horror comics like Eerie and Creepy and Tales From The Crypt.  Every Friday night my sister and I would watch old horror movies on a local show called 7 Cemetery Road. It was mostly old Hammer Horror movies and some American ones as well.  I always looked forward to Halloween not just for the candy, but because I got to dress up as my favorite monsters. By age ten or eleven I was reading Sir Arthur Conan Doyle and Edgar Allan Poe.  By the time I reached my twenties Stephen King was becoming known and I read his books as fast as he could write them. Dean R. Koontz soon followed as did Robert MacCamon and F. Paul Wilson.

Okay, cool. Some strong horror influences there. MacCammon is certainly a terrific writer who doesn’t get as much recognition as he deserves. What are your preferred genres as a writer?

I write horror with a dash of dark fantasy.  I really have no urge to write in any other genre. Nothing else stirs my heart like horror.

And what is your latest book about?

My newest novel, which I hope to publish by midwinter, is a take on the shapeshifter myth and will move ancient elements into modern times.  My last novel is about psychics and demons. All my books feature strong female characters.  I don’t like the “damsel in distress” preferring a girl that fights back.

What is your favourite book in the genre in which you write?

It would be hard to pick an all-time favorite. I like to read horror with a twist on an old theme.  Ghosts, Vampires, Werewolves are all good and sometimes horror from a different source like James Herbert’s The Rats or Stephen King’s Cell.  The new series Bane County by JR Rice is a great take on an old theme as is your own novel The Autumn Man.  I also greatly enjoyed a novella I read recently called Honger by Terry M. West and the novels of Ambrose Ibsen.

Thank you. And thanks for the suggestions for further reading. My shelves are already groaning under the weight of all the books I want to read, but I guess I can slip a few more in there! Anyway, back to your own writing. What are your writing habits? Any unusual ones?

I love to write on weekend mornings or vacation days, though I do write after work sometimes too. I like it best when I can immerse myself in the process for many hours. I typically write out a long synopsis first and flesh it out into a chapter by chapter outline and from that I add more meat until I have a story and then leave it cool while I start another synopsis. I’ll return after a few weeks and tidy it up, usually two or three times.  Then, I take the plunge and publish. I know too many people that might be great authors if they ever put themselves out there and took the plunge. Too often, we as writers are our own worst critics and for me my greatest sorrow would have been to leave the earth without trying. Now, having sold books on four continents and I know now that people around the world share my dark side.

So you’re definitely a planner, or at least a plantser. Interesting. What kind of characters do you primarily write about most often? Are your protagonists mainly children, teenagers, young adults or adults?

Almost all of my books and stories deal with adults and adult themes, though I wrote a short story that borrowed heavily from my early teen years.  That story, Fat Man, has roots in real life and writing it was a very powerful experience for me.

 

What is the most difficult part of the artistic process for you?

The most difficult part of the writing process for me is making time for it.  I still work a “day job”, often 50 to 70 hrs a week.  It is a challenge to juggle writing with work, family and other hobbies and friends. Sometimes I have to force myself to write a half hour here or fifteen minutes there, but that is the only way to keep moving forward.  I know someone who once told me she wanted to write a romance novel. Twenty years later she has yet to finish it. I had the same problem until I took a calendar and marked in red ink on every Friday, seven more pages. I forced myself to stick to that schedule and in nine months I had a novel written. It would take another five years before I just made up my mind to publish it myself. I never regretted that decision.

That’s definitely a commitment to writing. Does your family support your writing career?

My wife supports me and likes to read my books, as do my mother-in-law and father-in-law.  I am also grateful to my friends and co-workers who can’t wait to see what I come up with next.

A lot of authors dream of making it big like JK Rowling or Stephen King. What does literary success look like to you?

Success means different things to different people.  For me, I’d like to see someone make one of my books into a movie. That said, I told my wife once that if I could sell enough books to make a house payment, I’d consider myself a success. By that measure I am a success many times over. I was also thrilled to be accepted as a full Member of The Horror Writer’s Association and I would love to earn a Bram Stoker Award someday. I have yet to be nominated, but I’ve had the honor of placing my votes for a few other writers. It is always good to have a dream.

And finally, as you know, my stories often feature animals in some way. After writing The Autumn Man I think I can safely say that my favourite animal is man’s best friend, the dog. What would you choose as your own mascot/avatar/spirit animal?

My personal spirit animal, and I do believe I have one, is the Bear. The Bear is a survivor and a resourceful creature and I’d like to think I am too. Like the Bear, I have a grumpy side and love a good snooze, and never miss a good meal. I think we all have a spirit animal and we should set it free from time to time and let it be our guide.

Excellent. Well, thank you Richard for giving this interview and for all your insights into the writing process. It’s been a great pleasure, and I hope you enjoy your well-deserved success!  

Richard Tabaka’s novels are available on Amazon at the links below. I hope you will check them out for a taste of classic and modern horror fiction:

The Pride www.amazon.com/Pride-richard-tabaka-ebook/dp/B00N1Z1P3C

Blood Pride www.amazon.com/Blood-Pride-Book-2-ebook/dp/B018SZ9KXQ

Pride Fight www.amazon.com/PRIDE-FIGHT-Final-Chapter-Book-ebook/dp/B01MTJG4L5

Saint Augustine’s Road www.amazon.com/Saint-Augustines-Road-Richard-Tabaka-ebook/dp/B06XHQXGKJ

Richard Tabaka website www.tabakahorror.com

Richard Tabaka Facebook Page www.facebook.com/TabakaHorror

Amazon Author’s Page  www.amazon.com/richard-tabaka/e/B00N2YSK6M

 

 

Nightscape reviews & Fantasycon 2017!

Well, here is a nice surprise. A review of my horror short story collection NIGHTSCAPE, no less!

The reader calls several of the stories “gems” and “fabulously suspenseful”!

You can check out the reviews along with synopses of the stories here:

Or you can just go ahead and find the entire book here:

There will be more news coming soon. Not to mention a special post on Fantasycon 2017.

Fantasycon is the annual convention run by the British Fantasy Society. This year it’s in Peterborough, near Cambridge, England. It takes place from September 29th – 1st October. I’ll be speaking on panels and giving an author reading along with some uber-talented individuals, many of whom are very well known in the fields of horror and fantasy writing. Come along and join the fun!

NIGHTSCAPE!

Today I’m very proud to announce that my latest collection of horror short stories, NIGHTSCAPE, has been released by Parallel Universe Press in this glorious hardback edition!

In this collection of nine unsettling stories you will read about…

A  man who returns to his childhood home to find that there’s something very wrong with the family pet…

A woman with schizophrenia who becomes enamoured with an abandoned children’s toy…

A Roman legion which marches into first century Scotland only to come face to face with terrifying creatures from ancient myth…

Three outcasts who are waiting to be sacrificed to a monstrous creature after a nuclear war has wiped out civilization…

A widower who turns to black magic to bring back the lover he lost in a horrific car crash…

A troubled married couple who inherit a cottage once owned by a legendary Leicestershire witch…

And more!

So if you love horror short stories in the vein of Stephen King, Ray Bradbury, and Clive Barker, you’ll enjoy NIGHTSCAPE. And who knows, maybe it will enjoy you!

Currently available on Amazon, Barnes and Noble, and direct from Parallel Universe Publications.

10 MARVEL SUPER-HEROES WHO DESERVE THEIR OWN MOVIES!

We’ve seen the X-Men, Spider-Man, Thor, Captain America, The Hulk, The FF, Guardians of the Galaxy, and even Ant Man. On TV we have Jessica Jones, Luke Cage, Iron Fist, and Daredevil. But there are plenty of less well-known Marvel Super-Heroes who possibly deserve their own movies. Here’s a selection of some of the best candidates:

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Nova

Teenager Richard Ryder (because every superhero needs an alliterated name) gets blasted with a space ray and turned into a human rocket! Nova was never much more than a Spider-man clone. In the Psychedelic Seventies he fought such far-out cats as The Sphinx, Megaman (whose key attribute was having no face), and The Condor (a guy with wings) amongst others before becoming a member of the less-than-super New Warriors. James Gunn’s Guardians of the Galaxy introduced us to the Nova Core of Xanthar, the alien race that gave Nova his powers. But surely anyone with a costume this cool deserves his own movie?

 

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Dazzler

Interesting fact: Dazzler was supposed to be a movie right from the start. The character was ushered into the pages of X-Men purely to plug an onscreen character who was to both sing and act! The movie and the songstress never materialized, but Alison Blaire, a disco queen who can shoot light out of her body, became a regular member of the X-Men. With the rocking ’70s soundtrack of Guardians of the Galaxy, and her discotastic costume, has the time finally come for the Dazzler to shine?

 

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Moon Knight

Of all the characters in the Marvel Universe, few have undergone so many changes as Moon Knight. Appearing in Werewolf by Night #32 as a mercenary who was given a silver costume to hunt down the titular werewolf, Marc Spector morphed into a caped crusader to rival even Batman, before becoming endowed with supernatural powers courtesy of Egyptian god Konshu, dying, being resurrected, being briefly possessed by a demon, infected with lycanthropy, and even suffering multi-personality disorder from the pressure of adopting too many disguises a-la Mission Impossible!

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Captain Britain

The good captain was designed by Marvell UK in the 1970s to be Britain’s answer to Captain America. Unfortunately, he had a shaky start. Given a magic staff by Merlin (yes, the King Arthur one) Brian Braddock becomes a superhuman powerhouse who fought the Red Skull alongside Steve Rogers. The series hobbled along until scribe Alan Moore reinvented the character in the 1980’s as a strapping blonde mimbo who survived rather than won his battles against foes far cleverer than himself. Later stories had him joining comedy superhero team Excalibur alongside several former X-Men. But maybe it’s time Cap had his own movie. Heck, it worked for Ant-Man. Interesting factoid: his sister is Betsy Braddock, aka Psyclocke!

 

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The Son of Satan

Yes, you heard right. It’s fair to say that Marvel in the 1970s was… experimental. One of the better inventions of that time was Daimon Hellstrom, the son of Satan himself! Debuting in the pages of Ghost Rider #1 Hellstrom is constantly at war both with his own infernal nature and his demonic dad. He eventually got his own series before it was cancelled due to a panel that was considered too blasphemous ever to be reproduced! Surely a character this dark deserves his own TV show!

 

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Power Pack

Louise Simonson and June Brigman created this unique superhero team of children. The Power family find themselves in the middle of a secret war between the warlike alien Snarks (who look like walking crickets) and the peace-loving Kymellians (who look like sea-horses). When a Kymelian sacrifices himself to save the kids, they each gain one of his super-abilities. The series was ground-breaking for its realistic psychology, showing the kids scared, brave, petulant and spoiled, just like real kids. I have a soft spot for Power Pack. It’s my very favourite comic, and I’ll personally love to see it become a live action movie, if only as an antidote to all the dark and depressing fare that’s been served up recently.

 

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Machine Man

Here’s a character who’s better than he looks. Aaron Stack, a.k.a. Machine Man, is an unusual comic book superhero, because he’s a robot! X-51 is a sentient and rather sensitive android. When his creator is killed, he decides to go off and tackle crime, along with his Go-Go-Gadget arms and legs. Created by comics legend Jack Kirby in the back pages of “2001: A Space Odyssey” , X-51 was also memorably drawn by Spider-Man artist Steve Ditko. There’s something both moving and creepy about a character trying to pretend to be human, even down to wearing a latex face mask and dark glasses! One of Marvel’s more interesting characters.

 

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Howard the Duck

I know what you’re thinking. But try and forget the sickeningly-sweet George Lucas aberration and think more along the lines of a rather adult ALF. Now you’re closer to Steve Gerber’s bizarre vision of a duck trapped in a world not of his own making. Hailing from another dimension, cigar-smoking, wise-cracking Howard finds himself in Cleveland and up to his feathers in trouble. The comic was a satirical take on superheroes that sometimes had to be read to be believed. Vegetarian supervillain, anyone?

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Doctor Zero and Saint George

In the mid-1980s Marvel’s mature comics line, Epic, launched a series of titles outside the Marvel Universe. “The Shadowline Saga” involved a world where superheroes were non-existent, but where a second race lived alongside our own. Possessing awesome powers, some of these were sinister, others heroic, but none were what they seemed. Cue Doctor Zero, an immortal who pretends to be a superhero. Is he really a supervillain, or does he have a more Machiavellian scheme for the human race? Saint George, meanwhile, is a human priest who is given a suit of technologically advanced armour and sent on a crusade to rid the world of dangerous “shadows”. Each series, along with another about a super team called “Powerline” ran for a limited time before being wrapped up. But the series crated some memorable characters and had some interesting artwork by Klaus Janson and Bill Sienkiewicz (of TV’s “Legion” fame), and just might be something fresh and different compared to the existing Cinematic Universe. Time for a change, anyone?

 

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So there you have it. Plenty of weirder options for Marvel to explore. And I haven’t even mentioned Alpha Flight, Ka-Zar, The Human Fly, Killraven, The Living Mummy, Skull the Slayer, or Prince Namor the Sub-Mariner! Do you agree with my choices or have I left out anyone you’d like to see? Maybe you have a burning desire to see a West Coast Avengers movie or to witness the Avengers clash with the Squadron Supreme? Food for thought for the movie gods at Marvel Studios.