Tag Archives: fantasy

My Year In Books 2018

Let me come clean. This is not a list of the best books of the year. Instead, this is the time of year when I look back over everything I’ve read in the past 12 months. This year I went for some classics and tried to read outside my comfort zone, which is of course science fiction and horror. The results were… interesting.

I also read a lot of short fiction, which is not included here, so bear that in mind. Anyway, here are the novels I read this year and what I thought about them. Maybe you agree. Maybe you think I’m wrong. If so, let me know why!


The Exorcist by William Peter Blatty  

Okay, so this is firmly in my comfort zone. But I had to read this horror classic. I have a confession to make, though – I never really thought the film was scary. Maybe this is because I never saw it until recently, and it has dated rather badly. I also thought the film was a little one note – Regan is possessed, end of story. However, the book was much better. It was subtle, with great characterisation as Regan’s mother has to accept that something supernatural has intruded into her world of fashion magazines and modern living. The priest Damien Karras is also three-dimensional and tragic. When the exorcist himself reappears late in the novel, we know things are about to get a lot worse. A lot of things that don’t make sense in the film make perfect sense in the novel. And when the audiobook is read by William Blatty himself, you know you’re in for a wild ride! Great stuff.

The Hunger by Charles Beaumont

Charles Beaumont was a huge influence on me thanks to Rod Serling’s original Twilight Zone series in the 1960s. Although he died tragically young, he left behind a substantial body of work. The Hunger is a collection of horror, sci-fi and dramatic short stories. Right from the start you know you’re in the hands of a master. His “The Crooked Man”, which describes a future where heterosexuality is illegal, is disturbing in its plausibility, and contains a sting that sticks around long after the story ends. The most memorable story for me was “The Hunger” itself, a tale of the soon-to-be victim of a serial killer. The ending is as unexpected as it is inevitable. Beaumont created stories of real depth but with a wicked twist in the tale. A tragedy he died so young.

Casino Royale and Live and Let Die by Ian Fleming

Having never read the original James Bond novels I wasn’t sure what to expect. What I got was nothing like the films. Casino Royale is closer to Daniel Craig than Roger Moore’s pulp superspy. I was surprised how low-key and believable these stories were, nothing at all like the blockbuster movies. Bond himself is little more than a cypher. However, the novels’ structure intrigued me. In Act One our hero plunges into the world of espionage, which is alternately glamorous and exciting (casinos or the Harlem underworld). In Act Two something horrible happens to either our hero or his friends, resulting in some kind of brutal torture or maiming (I was shocked to see long-time Bond ally Felix Lightner meet a grisly fate early on). In Act Three Bond enacts bloody revenge on the bad guy, only to find a bitter sweet ending at best in this murky, treacherous world of spying. Not at all the knowing wink-to-the-camera Hollywood endings we have come to expect. A refreshing new look at an old hero.

 

A Study in Scarlet, The Sign of Four and The Hound of the Baskervilles by Arthur Conan Doyle

Sherlock Homes is a character most people are very familiar with thanks to the movies and TV shows. But, as with James Bond, the original novels are very different. Whether your Sherlock Homes is Hollywood legend Basil Rathbone with his deerstalker and pipe, or Guy Ritchie’s  action hero, the real Sherlock Homes is a different breed altogether. Introduced as a “consulting detective” in the first novel, A Study in Scarlet, we learn that Homes has spent years perfecting methods of criminal detection. These methods are a combination of the chemical, procedural, or the use of deductive reasoning. It is surprising to see that they are totally grounded in reality. Seeing Homes crawling across the floor studying footprints or taking hours to think about how a house could have been entered is a far cry from the superhuman crimebuster we know from films. It was a joy to see his methods being explained by Conan Doyle. The real Sherlock Homes is a refreshingly different from his cinematic counterparts as the real James Bond is from any of his onscreen incarnations. Well worth reading these for yourself and getting acquainted with the real Mr Homes!

Time and Again by Jack Finney

How could I not read this? The book that inspired one of my favourite stories, “Somewhere in Time” by Richard Matheson. This fantasy novel by the writer of “Invasion of the Bodysnatchers” concerns our hero Si Morley, a man’s man of the 1950s, who is recruited by the government to be part of a top secret project – one that aims to perfect time travel by self-hypnosis. As he travels back to 1882 in New York, we are treated to an incredible display of world-building, as Finney recreates the details of life there in astonishing detail. One can imagine Finney himself went back in time to bring us this story, which of course has a bittersweet ending as most time travel stories do, because while he’s back in 1882, Si Morley falls in love…

The Adventures of Tom Sawyer by Mark Twain

I’d never read this classic piece of Americana. While sometimes the heavy accents got in the way, I thoroughly enjoyed this tale of the adventures of a boy in a small American town in the mid-19th century. Twain gives us a true insight into childhood, making his hero Tom a convincing protagonist. Adults could learn a lot about child psychology by reading this book. Twain tells the story with humour without ever being condescending toward his cast. And he spins a rattling good yarn!

The Elementals by Michael McDowell

McDowell was a popular horror author in the 1970s before Stephen King. It’s easy to see how influential he was on King himself, especially in his tale of small American towns or isolated communities under threat from a supernatural menace. The Elementals begins with a startling visual image – three houses on a secluded beach in the Deep South. One is empty; no-one ever goes inside for a reason. At the rear of this house a massive sand dune has built up that threatens to engulf the building. The houses belong to a rich, Southern family. But when a cynical New York cousin and his young daughter come to stay, the daughter ignores the warnings and climbs the sand dune, breaking a window pane in the house and letting the evil  escape. A highly original premise with some genuinely creepy moments. My first exposure to McDowell, and certainly not the last.

The Girl Next Door by Jack Ketchum

I’d read the reviews on this one, where readers said it was the most disturbing novel they’d ever read, that they hadn’t wanted to finish it but had forced themselves to read to the end. Gauntlet thrown. What I wasn’t prepared for was Ketchum’s stark, journalistic style. This is the story of a young girl and her even younger sister who are orphaned and sent to live with the woman who lives next door to the protagonist, a teenage boy. The woman is normal enough, even if she does lets the narrator and her own two sons drink beer and treats them like adults. But when the girls arrive, things turn nasty. The woman’s jealousy of the girls turns to hatred. She and her sons tie the girl up and subject her to physical and sexual abuse that just gets worse and worse. Allegedly based on a true story, the story is so grim that I had to stop reading for a while before going back to finish it. By the end, I felt like I had achieved… something. The narrator certainly does not take pleasure in the torture and becomes the instrument of vengeance in the third act. But I came away from this uncertain what to think. Part of me felt this was an important story, one that shows how a sadistic monster lurks in normal people, and how conformism lets these monsters escape. But part of me wondered if we needed to read about such graphic torture, and whether the novel went too far in trying to shock.  Whatever it was, it was certainly a challenging read.

Steppenwolf by Herman Hesse

Not satisfied with that grim tale, I embarked upon what people have called a modern classic. Herman Hesse’s tale of a man who believes he was once a wolf intrigued me. The audiobook was read by Peter Weller, star of Robocop, whose soporific tones put me to seep more than once! The book begins with the son of a landlady telling how he met this peculiar character, the Stepppenwolf, whose name (Henry Haller) is a play on the author’s. Haller is unable to socialize properly, and leaves behind a journal. We then read the journal. At this point, the pretence the novel makes of being a story breaks down – Haller reads a book about himself that he finds, and reality breaks down completely with no explanation in Act Three. There were lots of great ideas – such as the idea that we are complex individuals containing many different personalities that change radically over time. But it read more like Hesse’s own philosophical tract than a story. That’s the problem with postmodernism for me. A story should be a story in my opinion. It’s better to teach by showing than by telling. I did enjoy the book. But it was way too clever for its own good. The story could have been told in half the time and said just as much.

Vittorio the Vampire by Anne Rice

This year I went to New Orleans for a few days. So what could I do but take a long a copy of one of Anne Rice’s vampire novels? My tour included the author’s old house in the Garden District. Having read her earlier book set there, The Witching Hour, it was a thrill to see the places in the novel for real. Vittorio was a different experience. I love vampire novels, and Anne Rice can write beautifully about them. This book also contains some beautiful prose. The story is simple – in Medieval Italy a young nobleman’s castle is raided by undead who kill his family. He falls in love with one of them who then turns him into a vampire. Then things get weird… He is obsessed with a painting of angels, and we see that in his confused state of mind the angels become real. They lead Vittorio through his adventures. The end. I wasn’t sure what to make of this. It felt like Rice was indulging her Catholicism rather than telling a real story. The point seemed to be that angels were real. But Vittorio could have been a much more interesting tale. It seemed a shame to waste all that research telling a story that was half-formed at best.

Chocky by John Wyndham

Confession number two: I have never read Day of the Triffids, John Wyndham’s most famous book. However, I have read a couple of his others (The Chrysalids, The Kraken Wakes) so I knew what to expect. Wyndham writes cosy disasters – some world-changing event happens in leafy middle England to middle class protagonists. In this, I was not to be disappointed. Chocky deals with an alien presence that possesses the narrator’s son. At first, it is dismissed as an imaginary friend, until the effect on the boy can no longer be ignored. Chocky is neither helpful nor harmful – it merely is. Wyndham takes a very simple idea and spins out a clever plot full of intriguing moments and exciting twists. It’s terrific to see something truly alien intrude into Middle England. This was made into a successful TV series in the 1980s. I will be rooting it out and watching it. Great fun!

A Tale of Two Cities by Charles Dickens

I always like to read a Dickens book around December. It gets me in the festive mood. In this novel, we are in the French Revolution, and aristocrats are being sent to the guillotine by peasants who have seized control of France. Amid this turmoil, one innocent aristocrat, Charles Darnay, is imprisoned in the Bastille after coming back to France to help a friend in need. Enter Sidney Carton, a dissolute English lawyer whose life has been spent in drink and profligacy, and who happens to be an absolute double of Darnay. Like most, I knew the story, but Dickens’s superb storytelling made the Revolution a living thing. His characters are vivid and unique. Although a melodrama, Dickens’s style is never better than here. The final chapters are quite moving – especially the scene where a Frenchwoman who  is a major revolutionary turns up at Darnay’s wife’s house, ready with a pistol to have her imprisoned, only to find her way blocked by the English maid Miss Pross, who valiantly defends her mistress. By turns comic, dark and very emotional, this is one of the best Dickens books I’ve read. A masterpiece of literature by one of the greatest novelists who ever lived.

The Weirdstone of Brisingamen by Alan Garner

With Christmas fast approaching, I thought I would listen to the audiobook of a children’s story that has been widely praised. The Weirdstone is set in Alderly Edge in Cheshire, England – a place associated with legends of King Arthur and the wizard Merlin. Garner takes this legend and weaves round it an original myth of his own involving the titular stone and two children who spend the vacation there. Cue adventures with goblins, shapeshifters, dwarves and wizards who all want the Weirdstone. But where is it? Rip-roaring adventure stuff that is never dull for a moment, this is a great kids’ story. I was reminded of both Tolkien and CS Lewis, although the story lacks the depth of these two and it ends rather abruptly. Thankfully, there are a plethora of sequels!

So there you have it! My year in books. A year of ups and downs, but never a dull one.  There were some great classics here as well as some unexpected gems. Maybe some of them will find their way onto your reading list next year. If so, tell me about it!

 

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Zombie poetry!

Today, I’d like to share with you a horror poem I wrote for the zombie poetry anthology VICIOUS VERSES AND REANIMATED RHYMES. The anthology also contained poems by acclaimed horror and fantasy author Steve Rasnic Tem, among others. In the words of the book cover blurb: “Vicious Verses and Reanimated Rhymes will not only melt your brain… it’ll tear out your jugular!”

THEM
by Eric Ian Steele

Who is that
Shambling through the gravestones,
A tattered tuxedo hanging round his ankles?

What do they want,
Those shoppers in the empty mall,
Scrambling endlessly for the abandoned escalator?

Where are they going,
Those silhouettes who stumble
Through deserted streets at night?

How do they live,
Those ravaged faces that inhabit
The rat-infested city dump?

When will I hear
Their voices all around me
As I scream up at a dark and moonless sky?

There you go. Hope you enjoyed that. And remember… don’t have nightmares. Fear only makes you taste better!

The Top 10 Best Sci-Fi Movies of the 21st Century So Far

Many have tried to compile a list of the best science fiction movies of the 21st century… all have failed. Until now… maybe.

In a brave attempt to distil from a ton of good movies the best 10 of the new millennium, here are my Top 10. Take it or leave it, but I’ve tried to avoid the more bogus entries. So you won’t find Oscar-bait here like District 9 (2009) – a movie that has virtually no sci-fi in it – or even the wonderful Korean hit movie The Host (2006) – as this is actually a horror movie. Nor will you find movies that are “technically” sci-fi in name only, such as the great Brit flic “28 Days Late” (2002) as this is actually a zombie movie.

Nor will you find much of the bloated, brainless CGI action-fests that fill so many of our multiplexes nowadays.  The movies below have earned the right to be here. So without further ado and in no particular order…

Battle Royale (2000)

This movie explodes onto your screen with such daring and style it’s impossible to resist. In a near future Japan the government has found a rather unique way of tackling juvenile delinquency. You and your classmates are chosen at random, stuck on an island with a variety of lethal weaponry, and must kill each other before your explosive neck collars take your head off. Kinji Fukasaku’s adaptation of the banned Japanese cult novel by Koshun Takami is a rollicking good roller coaster of a movie, as sweet schoolgirls and naïve schoolboys turn on another to escape their no-win situation. Filmed with sadistic glee, the movie has a serious message about individualism in a society that favours conformity.

The Matrix Reloaded (2003)

What’s that? Groans? But hear me out… when Keanu returned in triumph in The Matrix (1999) it heralded a new era of science fiction… one where everyone wore long overcoats and performed gravity-defying somersaults while shooting hand weapons (Equilibrium, anyone?) . But stylish as that was, The Matrix Reloaded did what all good sequels should do. It went one step further. Now the bad guys are even more stylish, the coats even longer, the gun battles go on for hours, and the superhuman avatars chase each other in one of the best freeway stunt sequences ever filmed. Does he CGI hold up today? Not as well as it should, but when this was shown in cinemas audiences were breathless with the possibility of what could be done with computers. Maybe we’re all still living in the Matrix now. Just don’t mention the third film…

Primer (2004)

Shot on a miniscule budget, this is THE head-scratching time travel movie you’ve been waiting for. With a plot so complicated it’s impossible to follow, this would set the blueprint for many of the “mind-bending” Hollywood movies in the years ahead. The concept is simple, some friends invent time travel. But the combination of mind-blurring science and labyrinthine plot twists make this one of the most interesting and original movies of the 21st century.

Timecrimes (2007)

This Spanish low budget sci-fi movie is one of those films that’s excruciating to watch, because you can kind of guess what’s coming next… only you can’t. It’s also been quite influential… and that’s putting it nicely. Check out Triangle (2009) if you don’t believe me. Timecrimes is a rarity nowadays… a sci-fi comedy thriller that shows what happens when time travel intrudes upon the life of an ordinary slob. Cue a hilarious and toe-curling mixture of coincidences, bad luck and stupid errors that put its unlikely hero in more and more peril. Can he make everything right again at the end? Where even is the end? An extremely entertaining and clever movie with a wicked streak of black comedy.

Tron Legacy (2010)

I honestly don’t know why there’s not more love for Joseph Kosinski’s sequel to the 1982 Disney movie Tron. With technology and VR having moved on, it seemed timely if somewhat bizarre to do a sequel 28 years later. But this time Disney got it right: a killer soundtrack, the most beautiful people imaginable, and an updated look that is not so much ’80s video games as a sleek iPhone, all make this a superslick movie that is beautifully shot and a wonder to behold. Unlike the original movie, there’s also an emotional subplot involving our hero, who finds himself zapped into a video game world, and his father, who created said video game world and got trapped in it 25 years earlier. Again, this is a sequel that extends the original universe. So where we had light cycles, we now have light planes. Add in a standout cameo by Michael Sheen as a David Bowie impersonating bartender, and you have a hit. What’s not to like?

Under the Skin (2013)

Do you like watching Scarlet Johansen seduce Scottish men and eat them? Then you’ll love this arthouse sci-fi horror movie. Apparently the film’s ultra-realistic pickup scenes were shot by having Johansen go undercover in Glasgow in a bad wig chatting to various random strangers. What puzzles me is how anyone could not recognize Scarlet Johansen. But the result is a movie that resembles that great 70s cult film The Man Who Fell To Earth, depicting a grounded take on what fist contact between humans and a stranded alien might look like. There are some bold visual set pieces here also as Johansen lures the men… well, inside her. A very dark and unusual film.

Passengers (2016)

Well, here it is. The dumb Hollywood blockbuster. It ticks all the boxes. Hot female star? Check. Hot male star? Check. Big space explosions? Check. Ludicrously expensive production budget? Check. A black comedy about uncaring corporations and the essential hopelessness of the human situation? Check… wait, what? This apparently boring tail of a person named Jim stranded alone on an interstellar cruise ship after being woken up too early from hypersleep is enlivened by terrific performances from Chris Pratt (fresh from his success in Guardians of the Galaxy ) and Jennifer Lawrence. Once again, Michael Sheen pops up as an AI bartender (is he making a career of this?) dispensing wonderful platitudes that fail to help the hero out of his situation. Jim decides he’s had enough of being alone and decides to wake up a fellow passenger, doming them both to total isolation for the rest of their life as the ship takes 90 years to reach its destination. There are the usual space shenanigans, explosions, and some  wonderful gravity-defying SFX, but the movie has an emotional core and humanity that makes it a cut above most blockbusters. In short, it’s what a Hollywood movie should be.

 

Ex Machina (2014)

Alex Garland is responsible for such genre greats as 28 Days Later and the less spectacular Sunshine. But here he steps firmly into sci-fi territory with a movie that pretends to be a lot cleverer than it is. Oscar Isaacs is terrific as the unpredictable and slightly bullying head of a large IT corporation who invites a random employee to test out whether his latest invention, a fembot, is truly sentient. The results, predictably, do not end well. Superb acting and a lot of head-scratching enliven a film that perhaps contains too many shots of hills covered in clouds. And it features one particularly memorable dance sequence.

Inception (2010)

Ah, Inception. There are so many things wrong with this film, but then again, there are so many things right with it. On the one hand, Christopher Nolan’s cgi-fest looks so great. Its visuals have been highly influential – sumptuous Marvel snorefest Doctor Strange (2016) seems to have borrowed heavily from it.  But when corporate saboteur Leonardo Di Caprio invades his target’s dreams he finds… nothing out of the ordinary really. Can it be that top-level businesspeople only dream about board meetings and big houses? Anyhoo… a clever twist involves the resurgence of DiCaprios dead, mad wife into his dreams, essentially putting a spanner in the works whenever he tries to go on a mission. Is it a manifestation of his subconsciousness? But the bravura sequence is the finale, in which there is a dream within a dream within a dream, until by the end of the movie we haven’t a clue whether we are awake or still dreaming. You have to admire a Hollywood movie that doesn’t tell you what’s going on. And so do audiences, apparently, as this was a monster hit as well as being critically acclaimed.

Guardians of the Galaxy (2014)

This will be known as “The movie that bucked the trend”.  In a time when superhero movies were getting increasingly “dark” (read dour and pompous) James Gunn’s rollicking ride back to the ’70s tells you it is going to do something rather different in the opening scene, where Starlord (Chris Pratt in a career-defining role), an intergalactic freebooter and modern-day Han Solo, picks up an alien lizard and uses it as a microphone to sing a few bars of Redbone’s “Come and Get Your Love” while dancing to his Sony Walkman. A joyous film that puts the fun back into superhero movies, Guardians is the Star Wars of its generation. It’s shouty, loud, colourful and warm. With awesome visual effects and a lot of fun references to the early marvel universe and Jack Kirby’s myriad creations, by the end of it we are truly immersed in this brilliantly realized comic book sci-fi universe. Dance-off, anyone?

 

 

 

Author interview – Chukwunonso Ezeiyoke

Today it’s my proud privilege to introduce author Chukwunonso Ezeiyoke. A Nigerian-born writer, he is one of a wave of Afrofuturist writers who have recently been taking the world by storm. Afrofuturism has been defined as “a cultural, aesthetic, philosophy of science and philosophy and history that…  addresses themes and concerns of the African diaspora”.  Writers of these stories typically use magic realism, fantasy, supernatural and science fiction to achieve their aims, and share a highly distinctive prose style that is both fresh and engagingly non-Western. 

Chukwunonso’s first story collection, “The Haunted Grave”  is in print from Parallel Universe Publications and contains eight stories with themes such as the real origins of the AIDS virus, a man who is possessed by himself,  and a particularly nasty family curse passed on through sexual activity. The stories are original and totally believable, told with a matter-of-factness that makes them all the more chilling.  Even stranger is that Chukwunonso is such a very nice guy to meet, with a highly infectious laugh. Not the kind of person you would immediately think capable of writing such grisly fiction!

 

ES: First of all, please tell our readers a little about yourself and what you write.

CE: I am Peter Chukwunonso Ezeiyoke. Although I only write with Chukwunonso and then my surname Ezeiyoke. From day one, I tended to avoid using my name Peter in my writing. I see my writing coming from an intimate place and Peter for an unknown reason failed to capture this essence. Perhaps because Peter is for officialdom.  The name used in school, at work and other serious places. Nonso, an abbreviated version of Chukwunonso was the in-house name left for close friends and family. In a way, the name Peter got alienated from this intimate fondness I associated with writing. I write all sorts of things: fiction and non-fiction. In non-fiction, I love literary criticism especially if approached from the angle of the Philosophy of Literature. I fell in love with literary theories after reading Language and Habit of Thought by A. Akwanya. The book blew me off my feet. I also enjoyed Plato’s Republic and Aristotle’s Poetics. And then Kant and then Nietzsche’s The Birth of Tragedy. ES: And what are your preferred genres as a writer?

CE: Horror and fantasy. Science fictions as long as it doesn’t focus so much in the science but rather on the emotions of the characters. I really love writing horror.  I love a slow burner. The beginning of my stories often sound realistic/literary until the demon comes to party.

ES: What is your favourite childhood book?

CE: I can’t really say one book, but I think that The Palm-Wine Drinkard by Amos Tutuola was fascinating, mythical and hilarious. The Bottled Leopard by Chukwuemeka Ike stayed with me long after I finished reading it. Then Cyprian Ekwensi’s An African Night’s Entertainment.  Chike and River by Chinua Achebe was our childhood national anthem so was Eze Goes to School by Onuora Nzekwu. I bet that everybody that grew up in Nigeria around the time I was born must have read them.

ES: How long were you a part-time writer before your became a full-time one?

CE: I can’t call myself a full time writer even now. Writing is yet to pay my bills. But I often see myself as a committed writer in the sense that I take it seriously and tend to create time for it. I haven’t been that committed to writing like the way I am now. It is something I began newly. I started to write when I was like eleven or twelve, but then I had a yearning stronger than writing: to become a catholic priest. This consumed my life until I was like 21 when I started having a vocational crisis because of some existential questions. Then writing became my only solace to escape reality. Finally, in 2014, I made up my mind that I wouldn’t become a priest after about 15 years in the seminary. It was at this point that I became a committed writer because I realised that there was nothing else in life that fascinates me like writing. I started being a serious writer by doing my MA in Creative Writing.

ES: That’s fascinating, and I suppose it shows just how important writing can be to people. Thank you for sharing that story. What has been your hardest scene to write to date?

CE: A rape scene that I wrote as part of my MA in radio drama.

ES: And what was the best money you ever spent as a writer?

CE: Hahaha… I went to a bar with a friend. Then we ate fresh fish pepper soup with some chilled drink.

ES: Good answer! I like to include animals in my own stories from time to time. As a writer, what animal would you choose to be your spirit animal?

CE: A tiger

ES: Very cool! And now what are your writing habits? Any good ones?

CE: I am good at breaking any habit I formed.

ES: And how many unpublished and half-finished books do you have?

CE: I think I end up with one every month.

ES: Wow. It sounds like you are very prolific. That is very inspiring. When you have had a work published, do you read your reviews? How do you deal with bad or good ones?

CE: I read them. I like feedback, no matter what. It tells me that at least people read what I write. Obscurity I think is the worst thing to happen to a writer rather than neglect reviews.

ES: That is a very philosophical attitude to take. I wish I could be like that!  Well, thank you very much for taking part in this interview, and I for one really look forward to reading your next book!

 

If you haven’t read it yet, Chukwunonso’s collection of stories “The Haunted Grave” is available on Amazon in paperback and for Kindle. I thoroughly recommend it as a superb work of fiction. If you want an introduction to the wonderful world of Afrofuturism, or if you just want a really good collection of modern horror stories, I suggest you pick up a copy, as he is certainly an author to watch! 

Project Nine Sci-fi anthology!

Are you ready for journeys to all sorts of different worlds? Where experimentation runs amok, or invaders run afoul of humans determined to protect their homes? Can a pill give people intelligence? Can a single entity save the galaxy?

For those who know me, the title to this blog post may constitute an inside joke, but PROJECT 9 VOLUME 4  refers to the new science-fiction anthology from Solstice Publishing. You’ll find six sci-fi tales that cover the spectrum from speculation to far off worlds!

My own story, Time Warped, concerns a cosmic superhero named The Warp, known to his friends as Gerald Stone. The Warp possesses almost godlike power. Although the people of Earth regard their protector with awe, to him they are little more than ants. But when an anomaly sweeps through the universe toward Earth, destroying everything in its path, it’s up to The Warp to stop it. Trouble is, will he want to? Especially when the power behind the anomaly is revealed to be another survivor from the doomed planet that was once his home…

The collection is available from Amazon. Here’re more from the publisher’s blurb:

Can The Warp save Earth?

Darkness has a new name

Destinies link in the In-Between

Hairy science, hybrid secrets

There are tests and then there are tests

We are survivors!

Eric Ian Steele, Rob McLachlan, Tanya Reimer, Josie Montano, Palvi Sharma, and K.C. Sprayberry bring you stories that will send shivers up and down your spine while entertaining you.

https://bookgoodies.com/a/B075MNYK64

Well, what are you waiting for? Go check it out! 🙂

Nightscape reviews & Fantasycon 2017!

Well, here is a nice surprise. A review of my horror short story collection NIGHTSCAPE, no less!

The reader calls several of the stories “gems” and “fabulously suspenseful”!

You can check out the reviews along with synopses of the stories here:

Or you can just go ahead and find the entire book here:

There will be more news coming soon. Not to mention a special post on Fantasycon 2017.

Fantasycon is the annual convention run by the British Fantasy Society. This year it’s in Peterborough, near Cambridge, England. It takes place from September 29th – 1st October. I’ll be speaking on panels and giving an author reading along with some uber-talented individuals, many of whom are very well known in the fields of horror and fantasy writing. Come along and join the fun!

More news about NIGHTSCAPE!

My new short story collection, NIGHTSCAPE is now available in Paperback!

You can get a teaser of what’s in the book here

If you’re a fan of the Twilight Zone, or if you like a dash of Clive Barker, Richard Matheson, Ray Bradbury or Stephen King in your dark fiction. check out the short stories below. You can also buy the gorgeous hardback edition from Parallel Universe Press!

 

NIGHTSCAPE is available from the following retailers by clicking on the links below:

Amazon.com http://amzn.to/2u5RRNz

Amazon UK http://amzn.to/2tQEKo9

Barnes & Noble http://bit.ly/2hhnBhu

Parallel Universe Publications  http://bit.ly/2uR0pdf