What is “hot” in Hollywood? What kind of screenplay does Hollywood want?
Surely, the cynical starving writer thinks, if I find out what genre is hot and I write in that genre, Hollywood will want my screenplays? The simply law of supply and demand will do my marketing job for me. If “found footage” scripts are hot, simply write one and riches will await.
But hang on, says the artist (who doesn’t mind if he or she starves or not), isn’t that betraying your art? Isn’t it selling… out?
Well, I have no problem with someone writing for a living. Even Leonardo da Vinci had to eat. And although I could do without yet another “disaster mash-up” movie (SyFy channel, I’m looking at you), I remember one of my earliest instincts was to find out what Hollywood wants in a screenplay. After all, they are the buyers and I am the seller.
But there are several problems with trying to write in the “hot genre”. First of all, Hollywood is a long way away. Not just in space, but in time. Studios frequently undertake test screenings to gauge the popularity of a film before it is finished. People in Hollywood know what the outcome of these screening are. Hence in your newsletter you might get an inexplicable slew of requests for stories about “dogs verses aliens” from producers anxious to copy the newest surefire hit.
And therein lies the problem. Because by the time you write said screenplay, the trend will be over, and “Buster Saves the World” will be yesterday’s movie news. Writing for the latest hot trend is like trying to hit a constantly moving target. By the time you’ve nocked your arrow and written your screenplay, the movie world has moved on to the next “hot” project.
Having said that…
Certain types of script always stand more of a chance of getting made. They are generally as follows…
– Female driven
– Limited location
– Low budget
– No SFX
These are the calls for screenplays you will encounter most frequently in newsletters and advertisements.
BUT.. and this is a big BUT!
I personally have found that I have less success trying to write in low budget genres. For some reason I naturally (and unfortunately) gravitate toward big action set pieces, usually sci-fi or horror. And yet I have more success selling these type of stories than when I write my one-location character-driven drama.
So if anything can be drawn from my limited experience, it’s this… write in the style and genre you love AND which you are best at. Whatever the budget. Whatever the genre. And THEN worry about rewriting it so it can get made. Maybe you can reduce the budget without losing that great scene with the giant ape climbing the Empire State Building.
This is a strange business. As Dan Ackroyd once said: “I write ’em big, and they keep making ’em.”
Here’s hoping you can write big too!